In light of the rapidly-evolving pandemic of coronavirus Covid-19 in the UK, Europe and further afield, we have taken the decision to postpone the opening of the Wardlaw Museum.
This is one of a number of steps we are taking, based on expert medical advice and in close consultation with the Scottish Government, to minimise the spread of the virus, keep staff and students safe, and protect our local community.
More details, including our new opening date, will be posted here soon.
Please be assured, this is not a signal that the University is preparing to close. The University will continue to deliver teaching and assessment to the best of its ability.
Welcome to the world of Philip Colbert, a Neo-Pop Surrealist artist and graduate of St Andrews.
The Death of Marat & the Birth of the Lobster exhibition explores Colbert’s world, his creativity and his philosophy. In it, he reworks Jacques-Louis David’s masterpiece showing the last moments of Jean-Paul Marat, a French Revolutionary who was murdered in his bath in 1793.
Colbert’s lobster alter-ego narrates and appears in his paintings. He says, “I became an artist when I became a lobster.”
Philip Colbert sees his studies at St Andrews as central to his development as an artist. Colbert graduated in Philosophy in 2003. His studies helped him make sense of himself and the world around him. As well as Philosophy, classes in Art History allowed him to explore his love of art and introduced him to Jacques-Louis David’s The Death of Marat for the first time. This moment sparked Colbert’s imagination.
Like Philip Colbert, Jean-Paul Marat is a St Andrews graduate. Marat received a medical degree from St Andrews in 1775. When the French Revolution began in 1789, he led a political group called the Jacobins, who fought against the monarchy and wanted a republic. Death came in 1793, when Charlotte Corday, who blamed him for the execution of thousands of people, murdered him in his bath.
Jacques-Louis David immortalised Marat’s final moments in his painting The Death of Marat. Nearly 230 years later, Colbert’s exhibition explores and reinterprets this dramatic event.